The underwater digital camera is certainly not a new concept; you probably picked one up before your honeymoon to take pictures while scuba diving. How’d that work out for you? Not too great, we bet, because while the underwater digital camera is clever in theory, there aren’t many companies who have made it worth our time and money. The lenses are cheap, the images are underwhelming, and face it: the cameras are homely as hell. Luckily, Nikon has decided to get serious about underwater photography — and photography in all sorts of rough conditions — with the new AW1 ($800), the first mirrorless digital camera that’s completely waterproof and has interchangeable, waterproof lenses.
Don't take my Kodachrome away
If you’re like us, you have a long list of cameras you’d love to own. But reality (almost) always steps in, and your desires remain unfulfilled. Gear Patrol’s series “Want This, Get This” presents a lust-worthy shooter along with a more affordable alternative that scratches the same itch. This week, we’re celebrating two DSLRs that recall the golden age of film while also delivering next-gen features.
Through the Looking Glass
Announced all the way back in September 2012, Tamron’s 70-200 f/2.8 Di VC USD ($1500) — one of the company’s gutsiest moves into the pro lens field — had plenty of time to be picked apart prior to its release. Though the lens was announced a year and a half after Canon introduced the second edition of their vaunted 70-200 f/2.8 IS, the Tamron was able to combine image quality and build that kept up with the competition at a significantly reduced price point. In May 2013, nine months after its initial announcement, Tamron’s bold product was released — and then vindicated by an outpouring of positive reviews.
Talk about shopping in advance
Oddly enough, the proliferation of electronic gadgetry, computer stuff and other digital goodies has made buying for the discerning sparkhead (we just coined that — please enjoy and proliferate at will) tougher. With this list, we aim to make the shopping a little simpler by covering suggestions for readers, photogs, movie buffs and gamers. Take a gander and start clicking; your techie giftee will thank you, probably with an email or holographic video message or something.
Autofocus in Every Pixel
We know you feel tech savvy standing at your son’s baseball game with a digital SLR around your neck and a high-def camcorder over your shoulder. But with the latest technology from Canon, the digital SLR is finally capable of shooting high-def videos worth your time and effort. Ten years and seven iterations after releasing their game-changing 10D digital SLR, they’ve done it again with the 70D ($1199), a mid-range digital SLR for the photographic enthusiast who’s ready to shoot smooth videos right next to stunning stills.
Thanks to 16MP smartphone cameras and the mirrorless revolution, the old point-and-shoot has been headed towards extinction. That’s not exactly the way Sony sees things. They stubbornly released the best damn pocket camera in the world, the RX100, last year. The mighty marvel’s massive one-inch sensor paired with a fast f/1.8 Zeiss lens effortlessly produced rich 20MP images, even in the novice hands of doting grandparents and hapless tourists. How did Sony respond to the positive reviews? They released the RX100 II ($748), which is even better.
Hope you don't have a fixed income
There was a time when photographers didn’t carry nine different lenses with their camera, a time when one wide-angle lens was enough to get an adroit photographer through the day because he realized that sometimes the best way to zoom in was to damn well walk closer to his subject. While most of us like having a versatile zoom lens, there’s something to be said for having only one focal length: when you shoot with a fixed focal length camera, you don’t take pictures, you take photographs. We’ve rounded up the top six “fixies” to get you started on your path towards being an artisan.
Orange is the New Black
Since 2010, San Francisco-based DSPTCH has designed rugged, functional camera straps that pair military-spec webbing and Paracord with high-quality hardware. They’re available in a variety of excellent, reserved hues, but we couldn’t help but wonder what a combination of blaze orange and matte black hardware might look like. Neither could DSPTCH — and so we’re pleased to introduce GP x DSPTCH straps in our signature color.
Reflecting on the best
When in 2004 Epson released the R-D1, the world’s first mirrorless digital camera, photographers weren’t sure what to make of it. Ten years later every major camera company has thrown their proverbial hat into the mirrorless ring. In fact, with digital sensors equal to those found in DSLRs, interchangeable pro-quality lenses, and magnesium-alloy construction, mirrorless cameras are quickly becoming the choice of many professionals looking to downsize their gear. It’s safe to say 2014 will be the year of the mirrorless camera, and we’ve rounded up our favorites to help you prepare.
Puzzling Over Professional Micro Four Thirds
Olympus’s new OM-D EM-1 ($1,400, body only) is way ahead of its time. Effectively an upgraded version of the already-capable E-M5, the E-M1 is an excellent shooter across the board, albeit one that can’t quite find its place in the market. We say: stay different, E-M1.
Taking photos... the long way
Handling incredibly dangerous chemicals and taking a single, earth-shattering shot — as much as it sounds like a recent happening in Breaking Bad, we’re actually talking about daguerreotype. Invented in the early 1800s, the labor-intensive process laid the groundwork for modern photography. Today, artists like Dan Carillo keep the tradition alive. This short film features incredible shots of Carillo’s daguerreotype process.
You’ve got the latest DSLR, a smattering of lenses and the best location in the world, but try as you might, things are still looking more Monet than Ansel Adams. Even with the best image stabilization technology and neurosurgeon hands, photos will loose their crispness around exposures longer than 1/20th of a second. Past that, you’re going to need something sturdy to rest on. Less is more, we say. Here are our three favorite monopods.
Just add water
While we love diving for its ability to transport us to an alien world, defy gravity and commune with nature, we also love it for the gear. Diving may be the most gear-intensive sport out there, with the possible exception of mountain climbing. Without your mask, you don’t see, without your tank and regulator, you don’t breathe, without your dive computer, you risk a nasty case of the bends. For our recent trip to the Bahamas, we packed along our favorite warm water diving kit, a collection of necessities, safety backups and just a little bit of style.
They'll never believe you otherwise
Thanks to the introduction of action cameras, pretty much anyone with a thing for the outdoors — novice mountain climbers, intermediate cyclists, veteran X-Games athletes and the lot — is utilizing these point-of-view shooters for hi-def footage of mesmerizing scenery and insane stunts. Fortunately for you, we’ve managed to narrow down the top offerings based on performance, suitability, features and price. Take a break from planning that next base-jumping adventure and get a closer at the five best action cameras available now.
Connectivity never looked so good
The creative process is a series of concessions. That ideal image, pristine and brilliant in your mind, gradually breaks down in the face of technological limitations and, well, real life. Canon’s EOS 6D, the lightest and most affordable of the brand’s full-frame models, seeks to narrow the gap between vision and reality. With a 20.2 megapixel sensor, a 100 to 125,6000 ISO range, and 11-point autofocus, the EOS 6D more than holds up its end of the creative bargain.
Read on for a breakdown of all the camera’s unique features.
A new Rebel with a cause
Canon’s Rebel line of DSLRs has always offered an impressive mixture of features while remaining completely approachable. The recently released Canon EOS Rebel T5i continues this tradition as the new flagship of the Rebel line. Like the EOS Rebel 650D before it, this shooter boasts an 18MP CMOS sensor, a 9-point cross-type AF sensor, a 3-inch 1.04m-dot touch-sensitive vari-angle ClearView II LCD, and Full HD video mode, complete with continuous autofocus in movie mode with subject tracking; these are all contained in a body that feels more professional than its predecessor.
Click to learn more.
The complete package either way
Kit lenses have a bad reputation for being the cheap training wheels of the photography world, built solely to make the DSLR buying process more approachable for thrifty consumers in search of a one-stop upgrade. These knocks against the category aren’t completely unfounded, but you shouldn’t let the general snobbery of experienced photographers steer you away from a good deal or convenience. There are a variety of kit lenses that are still a tremendous value and a great starting point for building a glass collection, whether they’re purchased with a camera or on their own. Here, you’ll find a few of our favorites across a variety of major brands and setups.
A Full-Frame Legacy Lives On
Canon has long stood apart from its competitors in the world of DSLR cameras. Each successive EOS release since the pioneering EOS 650 model in 1987 has pushed the vanguard of photographic technology, all the while maintaining sleek, elegant design and attending to customer feedback.
This attention to the consumer shines through in the Canon EOS 5D Mark III ($3,499), a camera that has single-handedly set the standard for modern DSLRs.
Let’s dive further into how the Canon EOS 5D Mark III continues Canon’s full-frame legacy.
Smartphones have made typical point-and-shoots about as useful as Ryan Lochte in a public speaking class. But until our favorite thigh weights gain a thicker skin, there will always be space for tougher rigs designed to take a licking and keep on clicking. Toss one of these rugged cameras into your bag before your next big adventure, and maybe you’ll finally capture some evidence to go along with that hell of a yarn.
Don't Call Them Point-and-Shoots
The point-and-shoot market may have hit a smartphone camera iceberg, but the ship hasn’t sunk yet. In fact, bitter competition has sped up the photography arms race, producing a wide field of top-tier compact cameras with big sensors — at a better price. Boasting image quality more than good enough to be deemed professional, these cameras can be a useful tool for the prosumer and feverish enthusiast alike, providing an infinitely more portable, all-in-one option rather than bulky DSLRs while sharing many of the same features and image quality.
That said, it’s up to you sharpen the focus on what you really need. We don’t mind walking a few steps to get the right shot — so our choices hone in on the best compact cameras that sport big sensors, fixed lenses and fast focusing. There’s a big field of small shooters; we’re here to slim it all down to the cream of the crop.
Don't Sweat The Wet
Problem: you want to use your DSLR to shoot some rad watersport photos, but standing on the shoreline or using those disposable waterproof cameras isn’t nearly rad enough. And even less rad is trying to fit your personal rig into a Ziplock freezer bag to protect it from the wet. Solution: Outex waterproof DSLR covers.
Compact price, mid-sized features
Compact cameras are in trouble. Smartphones continue to don sexier optics, allowing the photographer in all of us to carry one less item and still get decent shots of our lunches/cats/sunsets. Not content to just fade away, manufacturers are ramping up the quality and features of their compact cameras to stay relevant. Taking cues from its larger-framed and sensored older brother (The XZ-2), the Olympus Stylus XZ-10 ($351) emerges from this crucible as a true pocket rocket.
It’s easy to think that a bag full of lenses is a good thing — hell, there’s one for nearly every possible use. But what exactly is the perfect lens? In our book, it’s the tried and true 35mm. A perfect medium between wide and normal perspectives, the 35mm lens stands as an indispensable gem for pro shooters and hobbyists alike. As the staple of prime lenses (fixed focus), there’s no shortage of lofty offerings, but owning a Canon or Nikon camera doesn’t mean that brand has a stranglehold on the lenses you can shoot with. In fact, recent offerings have proven that the third party lens is a force to be reckoned with (case in point: the Sigma above). Here, we present five of the best 35mm lens offerings available today that aren’t Canon, Nikon or Sony. Consider it a fresh look on an old-school perspective.
Million Dollar Baby (maker)
Though most movies don’t cause the viewer to think about camera angles, lighting or color tone, there are some (Star Trek, Eagle Eye, Fast & Furious) with sequences and scenes that leave you wondering “How the hell did they shoot that?” This is how the hell: Chase Car Inc. We had a chance to check out their matte-black, modded out Porsche Panamera Turbo, replete with a full camera crane. Needless to say, we smiled for the camera.
No young whippersnapper
Film: recording moments. Moments that have passed, even as the shutter clicks. It’s no wonder photography is bound so deeply to nostalgia, sending us down memory lane to simpler times. But the hobby — the art — is deeper still; the equipment you use says just as much about your craft as your subjects or the developed, framed end product. So here’s our help: a short list of ten cult vintage shooters
When you need a camera to schlep to the top of the Rocky Mountains, very few can get the job done like the Olympus TOUGH series. The line’s new 12MP Olympus TG-2 ($380) is no exception, thanks to the plethora of features loaded into this little shooter. For starters, you can take the TG-2 along…
Magnify your photo skills
Fujifilm continues to stand out as a small player making gargantuan strides (look no further than the massive improvements to the beloved X100). Their new flagship FinePix HS50EXR superzoom point and shoot is a useful, affordable tool for the mid-range photog. Even though the HS50EXR has a DSLR-style exterior, make no mistake: it isn’t one….
Give your iPhone a break
The Polaroid iM1836 camera isn’t the first Android powered shooter we’ve seen, not even from Polaroid, but it is the first mirrorless interchangeable lens shooter of its kind. A 10-30mm lens kit ships with the device, but we expect other lenses will follow. Plus, this albino wonder is compatible with existing micro four-thirds lenses via…
You can go ahead and file the Canon PowerShot N under stopgap product, but until someone figures out how to cram a big ol’ sensor and lens into a tiny lil’ package, there’s going to be a divide between what your smartphone’s camera and a real camera can capture. The PowerShot N’s approach is to…