Suits for guys with nowhere else to go

Brooklyn’s Fastest-Growing Bespoke Suit Maker

Style : Clothing By Photo by Henry Phillips
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I
n an 800-square-foot studio in Brooklyn, just off of Driggs Ave, before it runs past a massive Russian Cathedral and into McCarren Park, Daniel Lewis, founder of Brooklyn Tailors, designs suits for what GQ called the “creative class”. When New York Magazine covered him, they called his clientele “men who find J.Crew a bit too fratty and APC a smidge too French.” But Lewis puts it more broadly: he makes suits for men “with nowhere else to go.”

Daniel — Danny to his wife Brenna, who manages the business — looks much like his clothing. He’s slight and lean, maybe a little shorter than average, but hard to miss. When clients come into his studio for the first time, he meets them at a glass table, his legs crossed and his hands held with a delicate tenseness, listening intently to how they want their suit designed. He listens with the same purpose he puts into his clothing. No movement wasted. Nothing to excess. His jaw is squared and his hair is styled into jets of black, sprayed causally back and matching the dark grays of his shirt and the cut of his suit and pants. He looks good.

A photographer and musician, Daniel Lewis expanded his creative output to suits, shadowing tailors and then, almost a decade ago, started taking customers out of his small Brooklyn apartment.

A photographer and musician, Daniel Lewis expanded his creative output to suits, shadowing tailors and then, almost a decade ago, started taking customers out of his small Brooklyn apartment.

Before Daniel started Brooklyn Tailors, he was a menswear designer. He was also his own customer. Someone who wanted to find the perfect suit, with the right style, a slim cut, made of good quality and at an affordable price, but he had nowhere to go. So he made one himself. A photographer and musician, Daniel expanded his creative output to suits, shadowing tailors and then, almost a decade ago, started taking customers out of his small Brooklyn apartment. Word of mouth spread, and one day in 2011 the duo realized they had outgrown their apartment office.

They renovated their current 300-square-foot store in Williamsburg (currently just a little ways away from the larger studio) themselves with trips to Home Depot. Both still held down their full-time jobs. “We would get on the subway, go home, and then take fittings from 7 to 10 every night, eat dinner, go to bed, wake up and do it all over again,” said Brenna, dressed in a black dress and matching black shoes. “We worked seven days a week for four years straight.” Only a few months later, in August of 2011, Daniel quit his job to focus full time on the business, while Brenna soon followed, quitting in May, 2012. The following year, in 2013, they expanded once more into the Brooklyn studio space where I met them, which itself is a stopgap space until they open a larger store and studio in 2016. Collaborations with Gap and GQ‘s 2014 Best New Menswear Designer award fueled an already rising business. Boxes with orders from Barney’s, Journal Standard and Penelope’s are already crowding the expanded space.

Lewis’s designs aren’t flashy; they are recognizable for their shapes. The height of the lapel, the proportions of the pocket, the way the shoulder structure just sort off rolls off into the arm, instead of squaring.

“I was really into Dylan, the Stones, the Beatles. And more contemporary, it was Nick Cave and Ryan Adams, The Strokes, Tom Waits, and all in different ways, all those guys wear tailored clothing really well,” said Daniel, explaining what inspired his style, which ran counter to the broad shapes of Brooks Brothers back when a slim fit wasn’t as popular as it is today. He says there was a time when office jobs required a suit and a tie, so the suit was a uniform. Now, with techies in hoodies and coffee shops full of freelancers who never enter an office setting, the suit is back as a choice, not an obligation.

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As soon as one takes a seat on the teal chair at the glass table in his studio, it becomes immediately apparent that Daniel never considered designing suits to be a money-making venture. While he’d fantasize about going to the old-school tailors, Italian guys on Savile Road making $5,000 suits, he wanted something he and his peers could wear. Lewis offers a fully bespoke two-piece suit starting at $1,700. The duo didn’t have a ready-to-wear line, which could expand their business, until, about the same time they opened their small brick-and-mortar location, stores that had seen their suits on the backs of customers called them up wanting to carry their lines. Ready-to-wear came as a product of their custom success.

Daniel says the number one challenge he faces is dividing the time of his small team of six between custom suits, the core of his business, and ready-to-wear suits which have the most profit potential. “A lot of conversations we’ve had with ourselves are, how do we grow? Do we want to grow? And where do we want to grow?” asked Daniel. “There are places — there are custom tailoring businesses that have very successfully scaled [up], but to do that — it’s fundamentally changing the process.” Right now, if you want a bespoke suit from Brooklyn Tailer, you have to come to Daniel or Rob Troise, the only other tailor they employ.

Nowhere was this mindset more apparent than in an interview with Bloomberg during media rounds for Daniel’s menswear award from GQ. The moderators asked him how he can balance being a bespoke tailor but sell enough suits to be a sustainable company, to which Daniel responded, modestly, “Our plan is not to grow and grow and grow until we are something like Ralph Lauren.” After a pause, the hosts cut him off with a slight laugh, saying that they thought that would be something he’d want, even to be “one-tenth” of Ralph Lauren. Success and money — the absurdity of not wanting both didn’t seem to make sense. But Daniel didn’t budge. Success would be great, but not at the cost of sacrificing quality. And in this respect, he’s serious.